poetics of life, travel notes

Brussels.

Processed with VSCOcam with f2 preset

As a person who often carry a backpack in public transportation or a luggage in airports it is my duty to condemn with the strongest words those who carried attacks in Brussels today, and to remind you we are not all like that.
… Sounds ridiculous ? Well, don’t ask Muslims or Arabs or anyone to do that.
– Timothée

Processed with VSCOcam with g3 preset

J’ai toujours aimé “L’Union fait la force”, pied-de-nez un peu absurde à la réalité d’un pays désuni. Mais ce n’est qu’aujourd’hui que j’en perçois vraiment la portée. Il y a dans cette devise nationale pas seulement un trait d’humour narquois, mais aussi une injonction fondamentale, un rappel que notre identité, à nous qui n’en avons pas, c’est précisément d’être ensemble, forts, même face au néant. “L’Union fait la force” nous dit qu’appartenir à ce pays c’est avant toute chose d’être là avec et pour les autres. Et elle nous annonce ainsi, avec presque deux siècles d’avance, qu’il n’y a pas de place pour l’islamophobie en Belgique.
– Caroline

Processed with VSCOcam with f2 preset

Today Brussels is in pain. A city that is my home and a city that I love. We are frightened and confused. A terrorist attack has hit another European capital, just as attacks inspired by an extreme misinterpretation of Islam struck London, Paris, Madrid…just as attacks have flashed and crackled across our continent and our world in the past decades – inspired by separatism, nationalism, leftist extremism and fascism, inflamed by exclusion and division. Today is a day for sadness, for holding our breath and holding each other. Tomorrow is a a day for asking why and hoping never again.
Unfortunately, the vilest segments of the British right (UKIP, Telegraph columists, etc) have already jumped on today’s events, on today’s corpses, to peddle their tired call for European disintegration. We are stronger together, as Belgians and as British, as christian, as atheist and as muslim, as Europeans.
The UK is not in Schengen. Its borders are not “open”. Yet Britain has also experienced terrible terrorist attacks, despite its “closed” borders. European cooperation and solidarity are vital to keep us as safe as we can possibly be. Brussels’ agony is no reason for Brexit. Now shut up and be sad with us.
Can’t believe we are having to say this today.
– Bryn

Processed with VSCOcam with g3 preset

I hadn’t cried all day, and now it transpires I am a sucker for the kitsch of violent nationalist symbols after all, because I have just seen a picture of the Belgian flag projected onto the Eiffel Tower and started crying. And then Bryn pointed out that they’ve got it the wrong way round, and so what’s on the tower has more in common with Germany. And now I feel much better. Fuck, this has been a terrible and strange day.
– Catherine

Processed with VSCOcam with f2 preset

That moment where sadness and mourning is starting to be replaced by anger, an anger for change and action. Not one filled with hate, but instead one that strives to bring people together, to wake people up out of their long sleep of media-indulged misconceptions, to share my own thoughts and experiences. Yesterday, to me, was a moment to realise that you can’t just sit down and watch it happen, because then the wrong people will take over. I’m a proud Brusseleir, but my identity is much more than that. I’m Brusseleir, Antwerpenaar, Tunisian, Belgian, European, Arab, Muslim, woman, queer and happy to be alive. I feel as much at home meditating in a mosque as I feel being in a packed bar drinking the best Belgian beers with friends and new faces. And no one is going to tell me I can’t. ‪#‎jesuissickofthisshit‬
– Sara

Processed with VSCOcam with f2 preset

Standard
poetics of life

Easter.

$RYEQ11O

+++

He says, “Sometimes it’s OK to hate people.”
And I say, “I know. But I don’t hate anyone. I’m just not a hater, I don’t have it in me. I get angry, it lasts all of ten minutes, and then it’s gone.”
“But it’s OK,” he says.
“I know,” I repeat.

I happen to think anger is a good emotion. It moves us. Because what is anger, if not that surge of energy we need while we’re frantically trying to find a way to right something that isn’t right? It is only when we exhaust our options, when we run out of ideas, that we resign to sadness.

I don’t think anger is compatible with hate. I’m not sure that sadness is. Seething resentment, on the other hand – being nice – playing nice – politeness – depression-

Who knows.

It is Easter, and Easter means spring and rebirth. Since Easter means more in Croatia than in Australia (or Germany, or Belgium), Easter also means a touch-base for years of Jana bringing together everyone loved and important at that time, a temporary showdown of love, a mapping of affection. It is not playing nice, being nice. It is breaking bread; it is love.

The implied plea is (as is always with love), “please treat this gift kindly; don’t break it”. The implied risk is not that of hate, but of sadness. As per above.

Standard
poetics of life, travel notes

The question of home.

IMG_20160321_143804

Travel makes so keenly apparent how tenuous are the binds that hold us together. Families holding onto each other with invisible strings made of nothing but care and blind tenacity, trying to stay still while everything else is changing. We are so naked while we transit: no address, no furniture, no proof of who we are and only a flimsy permit to be where we are, no web of people to say: yes, she is herself, we have gone to school together and her mother cooks good chicken. We are nothing but flesh and thoughts, a speck of life.

I have always loved to travel, and I had, over the years, learnt the craft of bringing out the most flavour from travel. There is a set of skills there: being in the moment, even when overwhelming, even when extremely slow; seeing people for who they are; responding to people as they are, without muffling them with your own narrative; taking in the heat and the cold; letting it all seep through you like moonlight. The art of travel is the art of letting go of yourself, letting your own rhythm and temperature and structure fade away, letting other rhythms take over you. Travel, like a good rave, is disappearance.

And I travelled too much in 2015. I became a very small speck.

There were some important conversations. Bea said: you are so much like Bruce Chatwin. I said: thank you (because I loved Bruce Chatwin). She said: I don’t mean it in a good way.

Ana couldn’t believe when I told her I’m very homey. She laughed. But I am, and I knew that even in that kitchen, which belonged to neither of us.

Home is what allows us to travel. One exists in contrast to the other: the movement and the stasis, the point of departure and arrival, and the path and time between. Not for nothing do the traditional nomads move along structured paths. They don’t wander aimlessly in all directions: they return and revisit the same places. Being able to return is important. Being able to rest is important. Small things, even: being able to buy something and put it down somewhere is important. I had too little home in 2015; I had frightfully too little home. Strings between me and everything were tearing, and I couldn’t stop them, I could just watch them go, with a slow accumulation of horror.

After a while, travel becomes an experiment in which home breaks down to single elements. What is home becomes a tangible question. Is home a bed, a tent, a chair placed in a square? If home is a roofed structure, how permanent must it be? Is home a family, a partner, a friend? One friend, three, five, ten, how old do these friendships need to be? Is home one’s books? Is home a washing machine and a laundry line? Is it possible, I wondered for a long time, that home is an equipped kitchen, and a dining table, around which these ten friends can sit while I cook a single meal?

I once said: home is where people are happy to see you return. This turns out to be incorrect: there were many places where people were happy to see me, and none were home. Someone said: home is wherever they cannot turn you away from, and this is more accurate, but not entirely true, because our right to squat is a sum of lines of inheritance and charity, and it is not the sum of inheritance and charity that makes home.

Home, I think now, may be whatever matter we weave around us (we have woven around ourselves, or has been woven around us) to feel like we are more than a speck of bare life. Because that truth is too hard to handle.

Home may be something we carry inside us, if we’re big and strong. I have been that home to others. But only so much. I think now that home, like peace, like rest, is a resource we need to constantly replenish, otherwise we run out of home, like we run out of breath.

Bruce Chatwin’s wife Elizabeth remained his home throughout, even as he gallivanted around the world, sleeping with men, catching AIDS – because how could she not? How could this perpetual traveller travel without her, not staying at home, but being the home? She took care of sheep, and was, by all accounts, happy. Unhappy people cannot be a home.

For me, for four long years, home was a person. And then, for a while, home was nothing more than a bottle of Marseille soap. And now I have a dining table again, and a kitchen equipped enough to cook for the friends that can sit around that table. How strange that that’s enough.

Standard

This is one of the projects that we are currently managing at my work – we are increasingly interested in directing research funding towards demonstration projects – creative enterprises in which solutions are prototyped, developed, tested and assessed – rather than pure research, which merely maps issues.

I find it all very beautiful.

I am, of course, against the notion of pedestrians waiting for cars – we know that this curtailment of the citizen right to public space was never voted on, and was implemented stealthily in most cities during the early 20th century, largely to protect the (wealthier) car owners from legal culpability.

But I am also a huge fan of dancing in public, so it evens out.

This short film introduces Berlin as one of the European cities aligned with the URBES – Urban Biodiversity and Ecosystem Services project. The URBES project is funded as part of the EU’s 7th Framework Programme for Research by BiodivERsA, which is a network of 21 research-funding agencies across 15 European countries promoting pan-European research that generates new knowledge for the conservation and sustainable management of biodiversity.

What I really love about this video is that, as our technological abilities increase, and every research project can make its own movies (soon, if not now), we become better able to explain the hidden poetics of things, even dull things, like policy.

Of course, dull things are only dull if you don’t understand them. The strange, two-dimensional emptiness of architectural plans only exists for those who cannot read them in three dimensions. And there is deceit in a rendered image, just like in there is deceit in all images. But movies of this sort, they genuinely show the beautiful part of what I do, the way I see it, the way not everybody necessarily sees it. It is good.

Such an interesting feel, this city. At times I think, it seems to have picked up the most lovely aspects of Latin and of Northern Europe; of Catholicism and Protestantism. It has the elegance, charm and that slightly creative chaos of France, and then also the simple, humble practicality of Flanders or Germany. But it is so much more beautiful than Germany, because Germany is rarely ever truly beautiful.

But here it is, in no particular order: a particular combination of light blue and light brown; a particular combination of dark blue and dark red; straight lines (sometimes); floral curves (at other times); rectangles that are almost squares, but aren’t; eclectic combinations of texture and material; and every so often, an unusual and unexpected touch of Tokyo.

spatial poetics, travel notes

The poetics of a city: Brussels style.

Gallery

“This is incredible! She looks like a normal woman!” said Robin, who comes from Belgium.
“What do you mean, normal?” I asked.
“She wears no make-up and her clothes are normal!” Robin was very surprised. “Do men in Australia have no problem with having women on TV who look like that?”

I showed it to her trying to explain something about the feel of the city, though, of inner-city Melbourne.

1094748_10151576053982163_1939537504_o

The most extraordinary thing happened this weekend. Around 3am, we left the club to get some food. On the way back, in front of Alan’s Music Store on Bourke St, we came across a group of girls dancing in front of a busker. We sat nearby, to have a smoke, when three guys walked past and joined in. They seemed nice, and the song was good, so we joined in, too. As other people were walking by, the guys started motioning them to join. After a while, it became an organised move: someone would point and say: “Get them!” Or point outwards, saying: “Get more! Get more!”

At the height of it all, there were around 50 people, strangers to one another, dancing on the street, clapping their hands in the air, and singing along. There was a group of Middle Eastern men, some guys with medals on their chests, many girls in very high heels, two Frenchmen, some older people. The busker (Tony) played RHCP, Wonderwall, The Beatles, Australian hits I don’t know, and anything by request. We never returned to our club. We stayed there, dancing.

What almost spoiled it was that this is enforceably illegal in Australia, because any group behaviour on the street here can be classified by the police as one of many kinds of nuisance that the police has the right to intervene in. And there was a palpable sense of potential illegality in the crowd. But, although there were 6 police vans just a block away (there had been a fight), and although two police cars passed by very slowly, strangely, miraculously, they ignored us.

It was the first time I saw a crowd of Australians self-regulate, especially on a Saturday night, and I was amazed at how good-natured it remained, how lovely. Even when the (inevitable) rowdy men went past screaming or shouting, they were neutralised quickly by people smiling, waving at them and shouting: “Join us!”

It was very beautiful, and extremely moving. It made me think of Europe, particularly of Berlin, where such incidents are relatively commonplace. It made me realise that, were there less regulatory intwrvention into every aspect of life, miraculously beautiful things would happen in Australia all the time, because people here clearly have every ability to self-organise, self-regulate.

The party lasted about 2 hours, beginning to end. Tony played Under the Bridge and Wonderwall twice. (Towards the end, a man walked past shouting: “Chilli Peppers!” The crowd shouted bqck: “Duh! Where have you BEEN?”

In the end, Tony played Here Comes The Sun, and Norwegian Wood. We all said goodbye, and went home, talking all the way about how this was the best party ever, still amazed at how the police never came.

poetics of life

The most extraordinary thing.

Image
travel notes

Croatia & Slovenia, June-July 2011.

Gallery